His year with Henderson not only changed the sound and style of the orchestra but it altered the way that other New York musicians played and ultimately all of jazz itself.
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The instrumentalists and arranger Don Redman listened closely as Armstrong displayed a beautiful tone, “told stories” during solos that built up as they progressed, and emphasized impeccable timing in his playing, knowing how to use silence dramatically. The addition of trombonist Charlie Green had helped a little but, when Armstrong arrived, it soon became obvious that he was years ahead of the other musicians, even Coleman Hawkins.
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Its musicians were proud of their ability to read music but most of them were actually rhythmically awkward players, their solos were full of flashy effects, and the band rarely swung. When Louis Armstrong moved from Chicago to New York in September 1924 to join Fletcher Henderson’s orchestra, the Henderson group was ranked as one of the top black dance bands although it was not on the level of the top Chicago jazz groups. Rarely has one musician made such a difference. Have Your Chill, I'll Be Here When Your Fever Rises (3:02) I'll Take Her Back If She Wants to Come Back (3:11)ġ8. Why Couldn't It Be Poor Little Me? (3:02)Ġ9. Why Couldn't It Be Poor Little Me? (3:02)ġ6. Why Couldn't It Be Poor Little Me? (3:02)ġ5. Why Couldn't It Be Poor Little Me? (3:04)ġ4. How Come You Do Me Like You Do? (2:52)ġ1. How Come You Do Me Like You Do? (3:06)Ģ1. How Come You Do Me Like You Do? (3:10)Ģ0. Don't Forget You'll Regret Day by Day (3:15)ġ9. Joe Mondragon (b), Barney Kessel, Tommy Tedesco,īobby Gibbons, Tony Rizzi, Bill Pittman (g), Joe Mondragon (b),ġ8.05. Victor Feldman (vib), Marty Paich (p, org, cel, arr & cond), Orchestra featuring Art Pepper: Jack Sheldon (tp), Mel Tormé (vocals) with The Mel-Tones and the Marty Paich Marty Paich (p, arr & cond), Joe Mondragon (b), Mel Lewis (d). Vince DeRosa (French horn), Red Callender (tuba),Īrt Pepper (as), Bill Perkins (ts), Bill Hood (bar sax), Mel Tormé (vocals) with the Marty Paich Orchestra featuringĪrt Pepper: Al Porcino, Stu Williamson (tp), Frank Rosolino (tb), However, these are by no means their only works together as the collaborated many times. The other important collaboration on these sessions is the one between Tormé and celebrated arranger Marty Paich (1925-1995). The combination is sublime, for Pepper’s sound seems to fit particularly well behind Tormé’s voice. The two albums compiled on this CD provide the only existing testimony of singer/drummer Mel Tormé (1925-1999) accompanied by the great Art Pepper (1925-1982). Mel Tormé Sings Shubert Alley & Back in Town MEL TORMÉ AND ART PEPPER'S ONLY RECORDIED COLLABORATIONS !!! COLLECTOR'S JAZZ EDITIONS AT THE BEST PRICE!.
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Easy Listening, Exotica, Soundtracks & Library Music.
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Jazz-Rock, Prog-Rock, Canterbury Sound, RIO & other deviances.Afro-Jazz, Disco-Funk, Soul-Jazz & Global Sounds.
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